Creative Heights

The intent of the Creative Heights initiative is to offer risk capital to pursue bold artistic ideas, therefore OCF is open to a range of projects outside the stated guidelines. Highly competitive proposals will likely demonstrate the capacity for high artistic achievement, innovation in execution, and feasibility to realize the project goals.

Strong proposals generally exhibit some of the following elements, not all are required:

• Support the development and/or presentation of new and innovative work by Oregon artists, curators, producers, historians, creatives and culture bearers.
• Represent an artistic or creative stretch or risk for the artists and organizations involved.
• Offer the applicant an opportunity to learn and grow their discipline or craft in scope, scale and/or practice.
• Demonstrate high levels of community engagement and social impact.
• Have the potential to advance artistic and cultural fields in Oregon.
• Engage artists, curators and collaborators of high caliber and achievement in their field.
• Demonstrate concepts and practices that are substantive, clearly articulated, and grounded in a deep knowledge of the artists field.
• Display a high level of imagination and creativity in execution.
• Include plans for the preservation of new works, including documentation and dissemination as appropriate.
• Compensate artists and culture bearers as professionals, including the lead artist.
• Demonstrate the applicant’s expertise, experience and ability to manage the proposed project.
• Engage diverse and historically underserved or under-resourced artists and audiences.

Example project types include:

• Presentation of a fully realized new work or project in one or more Oregon communities.
• Research and development for a new project or collaboration.
• Support for creation of new works by individual artists (e.g., hosted fellowships, residencies and commissions).
• New delivery systems or approaches to the creation or presentation of art and culture.
• Engaging outside experts to work with artists on new skills or approaches to work.
• Museum-based projects that reveal previously unexamined Oregon history, culture or art.
• Production or presentation of an innovative work developed by Oregon artists in collaboration with artists or experts from outside Oregon.

Ineligible projects are those that engage artists solely on a volunteer basis; are primarily educational in nature; do not engage Oregon artists, collaborators and audiences; or include finished work not available to the public (i.e., art for a private collection or nonpublic space). Projects that are primarily intended to advance the administrative capacity or capital investments of an organization or don’t lead from a creative impulse would not be competitive.

Funded Creative Heights proposals have often included plans for high levels of community participation or engagement in the creation or exhibition of new work, therefore proposals to complete a studio work (painting/album/film/sculpture/etc) without robust plans for exhibition, dissemination, or community engagement in Oregon would not likely be competitive.

Presenting non-Oregon artists could be competitive if there was significant participation by Oregon artists or other creative collaborators on the project as well. Proposals that do not engage Oregon artists as primary collaborators will not be competitive.

Because we incorporate multiple review panelists who bring varied knowledge and perspectives to our review and selection processes, OCF does not use a fixed definition of risk or innovation. Generally, funded projects include elements of experimentation and evolution that keep an artist's or culture bearer's work vibrant and relevant, or provide an artist/organization with the potential for meaningful learning and/or change. In general, we've seen that solely exploring a topic that may feel risky or taboo is not as competitive as a proposal focused on new methods of creating, collaborating or sharing new work.

In the case of these artists/organizations creating a new work would not in-and-of itself be a risk, so we would be looking for elements of development or creation that are a stretch or new to the artist/organization and project collaborators. The project should be distinctive from the collaborating artists’ prior work in scope, scale and/or practice. That can look like working with new collaborators, creating or sharing at a larger scale, using different research or creation methods, or any other methods to push into new territory. 

New work in traditional or cultural art forms could include research and creation of new/innovative exhibits, presentations, teaching methods, or other activities that meet the intentions of Creative Heights.

Not necessarily. You can apply for funding for any phase of creation of a new work including research and development prior to public presentation. Proposals often include one or more public components, but it is not required. However, Creative Heights is a very competitive program and past review panels have typically funded projects that include high levels of community participation or engagement in the creation or exhibition of new work. Projects without any public components or community participation would likely need to demonstrate future plans for engagement in order to be competitive.

Projects can be innovative adaptations of traditional works, however there must be a solid case that this is a stretch or risk for the participating artists and organization.

Yes, if a project is currently in development, a proposal could include further development and presentation, however it would be necessary to articulate how this phase of work would be a stretch or risk for the artists/organizations and not simply a continuation of current practice.

No, organizations of all sizes and locations in Oregon can be competitive. The project funding range ($10,000 - $100,000) for Creative Heights is intentionally broad in order to allow for projects of all sizes. There is no specific formula correlating the size of awards vs. annual organization budget, as long as you demonstrate the capacity to realize the project proposal.  In terms of geography, OCF hopes to fund throughout the state, however there are no pre-determined regional allocations for this initiative.

Individuals, collectives or organizations may submit a Letter of Inquiry for Creative Heights funding. If selected to submit a full application, applicants must identify a potential Oregon-based 501(c)3 nonprofit partner to receive funds. This partner does not need to be identified in the LOI process, but must be submitted with the full application if invited. 

If your organization is serving as a fiscal sponsor for an individual and/or another organization, you are still eligible to apply for a separate project where your organization is the artistic lead. You may also sponsor multiple applications as long as your organization is not publicly claiming more than one project as your own programming.

Organizations may apply for and receive grants from multiple OCF grant programs, but only one proposal per grant program will be accepted per year. Organizations are welcome to apply to both Creative Heights and another OCF grant program with the same project, however we will not fund a nonprofit for the same project more than once. If your project is competitive for multiple grant programs, we will award only one grant from whichever program offers the highest award amount. Individuals can apply for the Creative Heights program and our Fields Artists Fellowship simultaneously or in different cycles and will be considered separately.

Yes, current or past funding from other OCF programs does not affect eligibility or competitiveness for Creative Heights.

Past Creative Heights grantees (both independent artists and/or nonprofit organizations) are eligible provided the previously funded project and final evaluation activities are completed. If you are unsure if this applies to you, please contact OCF staff before applying. Organizations who are publicly claiming a Creative Heights project as their programming must complete the previous project and evaluation activities before applying again.

If an organization is only sponsoring an individual's application and not claiming the project publicly, they do not need to complete past projects in order to sponsor another application or apply for their own programming. Organizations may sponsor multiple applications in one year and each application will be considered separately. 

Yes, you may apply again with the same project. Please submit a new application through our online portal to be considered and include any updates or changes since your last submission.

Letters of Inquiry are due by 11:59pm on February 15, 2022. Full applications will be invited in early April for a May deadline. A letter of commitment from any sponsor nonprofit is required with the full application. Applicants will be notified of their awards shortly after the OCF board decision in early August. Funding will be disbursed by late August and may be used for two years from the award date. Preference will be given to projects that are not within three months of completion upon receiving the award.

One of the main goals of Creative Heights is to provide substantial resources to take creative risks and test new ideas. Through past grant cycles, we’ve found that projects too close to completion upon receiving the award are often not able to invest the newly secured resources as thoughtfully or impactfully as projects with a longer timeline to completion. For 2022 applications, this means projects scheduled to complete before November 2022 must strongly demonstrate why these funds would be impactful in the proposed timeline.

There is no set percentage, but we understand that taking a strategic risk requires dedicated risk capital outside operating expenses. Due to this special need, OCF is willing to fund the majority of the project budget.

There is no restriction on where you can spend grant funds as long as you are engaging Oregon artists and if there is a product, that it is accessible to Oregon audiences.

Awarded funds can be used for up to two years from the distribution date.

No, we see these as one-time projects. If you are applying to fund the pilot of a program you intend to continue we do not require any information about sustainability beyond the grant period.

Evaluation requirements for grantees will consist of conversations/interviews with an evaluator at the start of the grant, mid-point, and completion of project. There is no lengthy written report to submit. Grantees may be asked to review and approve short summaries written by OCF staff based on their conversations. A final budget is also required accounting for how all grant funds were used.

OCF generally plans to convene grantees at least once over the course of their award period to build relationships and provide technical assistance in the area of marketing and community engagement. Attendance at these convenings is strongly encouraged and dates will be provided well in advance, along with travel reimbursement to lower barriers for participation.

Technical assistance on using the online application portal can be directed to Chey Kuzma at 503-227-6846 or ckuzma@oregoncf.org. If you already have an account and are having trouble logging in to our online grant application portal, please reset your password by visiting the following link: https://oregoncf.slideroom.com/#/login/form. Once there, click on “Forgot Password” and follow the prompts. You will need to provide the email address you used to set up the account previously, and watch for an email from SlideRoom containing a link to reset your password. OCF does not have access to your password, nor can they reset your password internally.

Questions on your proposed project plans, eligibility or general inquiries may be directed to OCF’s Arts and Culture staff, at CreativeHeights@oregoncf.org or by phone at 503-227-6846 where your call will be directed as appropriate.

A live informational webinar outlining these program details was held on January 18^th, 2022 at 1pm. A recording of the presentation and transcript is available by clicking here.